No River Too Wide

No River Too Wide

By Emilie Richards

Publisher: Harlequin MIRA

Release Date: June 24, 2014

Janine Stoddard has spent twenty-five years as the wife of an abusive husband, but there is still enough spirit left in her to seize the opportunity to escape when she is offered help by Moving On, an underground highway for abused women. One night when her husband is away, she puts her carefully conceived plan into effect, leaving her luxurious Topeka, Kansas, prison in flames. Janine has refused contact with her daughter because she feared her husband would somehow discover Harmony’s location, but she longs to see her daughter and the nine-month-old granddaughter she has never met before she settles somewhere to begin a new life. Thus, she heads for Asheville, North Carolina, for what she plans to be a brief stop before moving on to New Hampshire where she hopes to be safe.

Harmony has checked the Topeka Capiatal-Journal every few weeks since her mother told her never to call home again more than a year ago, expecting to see a headline reporting her mother’s death. She’s heartbroken but not surprised when she thinks her mother has perished in the fire, but surprised is an understatement of her feelings when her mother shows up on the farm outside Asheville where Harmony works as a Jill-of-all-trades and lives in a garage apartment. Harmony’s friend Taylor Martin sees offering Jan a home as a way of repaying Harmony for all that Harmony did for Taylor’s mother. With Taylor living twenty miles away on the other side of Asheville, Jan will be away from Harmony but close enough for the Jan to see her daughter and granddaughter occasionally. When Taylor tells Jan that her being with Taylor’s eleven-year-old daughter when Taylor has to be away on school nights will be a help, Jan agrees to stay.

Richards deftly weaves together the stories of these three women and adds the mystery of Rex’s Stoddard’s disappearance to complicate things. Despite the insurance fraud thread and a romance between the cautious Taylor and Adam Pryor, a new man in town with secrets of his own, No River Too Wide is a story about growth and forgiveness, including self-forgiveness, which may be more difficult than forgiving others.

Emilie Richards is one of the writers whose books I began reading in the 1980s and have followed her from category fiction to single-title contemporary romance to mystery to women’s fiction and enjoyed each phase of the journey. No River Too Wide, the third book in her Goddesses Anonymous series, has the emotionally rich contexts and layered characters that have kept me reading this author for nearly three decades. Whether she is writing about troubled marriages, complex family dynamics, the tendrils of the past that cling to human lives, or any one of a dozen or more social issues that touch the lives of her characters--and her readers--Emilie Richards is one of the best writers in popular fiction.

Books about battered women have become common in recent years, but few show as full a portrait of a woman abused over decades as Richards offers in this book. Alternately heart-rending and inspiring, No River Too Wide reveals a woman almost destroyed by physical and psychological abuse who has the courage to accept help, one who gradually forgives herself, regains her self-respect, and acquires a new appreciation of the freedom to make choices and to grow into an independent woman.

“It didn’t matter if she was frightened by everyday things that others took for granted. It didn’t matter if she felt alone in the world, something Rex had repeatedly warned her would happen if she ever tried to leave him. It didn’t matter that she no longer knew what a woman like her could actually achieve. Perhaps it didn’t even matter that she had failed at the things she had most hoped to accomplish and was still seeking forgiveness. . . .”

Although Harmony was a lesser target of her father’s abuse than was her mother and, with her mother’s help, she escaped as soon as she graduated from high school, she bears her own scars. She loves her mother, but she also blames her for not leaving sooner. She is also suspicious of lives that seem too perfect from the outside, having experienced the horror that could be concealed behind the happy family image.

Taylor learned some painful lessons through her estrangement and reconciliation with her mother (One Mountain Away). She explains to her daughter Maddie:

“Here’s what you need to learn from everything that happened with Mom and me. We loved each other but we let our differences get in the way. I held a grudge for years, almost to the end of her life, and I was wrong to do that. Very wrong.”

But Taylor’s learning is incomplete; she still finds it difficult to forgive when people fall short of her expectations.

One of the joys of reading this book is seeing the growth that takes place in many characters from the three women who are primary to baby Lottie’s father. For readers who like a romance line even in their women’s fiction, there is Taylor’s relationship with Adam, a man who wants to do the right thing but finds it difficult to reconcile his professional responsibilities with the dictates of his conscience. I also liked Harmony’s reentry to the world of dating and her admission that Mr. Perfect may also be Mr. Not Right for me.

I’m sure it is clear by now that I loved No River Too Wide. It’s another Richards keeper for me, and I highly recommend it. I do feel I should add one caveat: this book can be read as a standalone, but readers who have not read One Mountain Away may feel as if Harmony and Taylor’s stories are incomplete. Reading the two books makes for a richer, more meaningful reading experience. The second book, Somewhere Between Luck and Trust, is also excellent, but it is more loosely connected.


Do you have a keeper shelf? What’s your most recent addition to it?

An Apology for My Absence and A Review of Vixen in Velvet

My apologies for my lengthy absence from this blog. The causes include snafus with the blog, a freelance project that threatened my sanity, and some health issues. But the freedom from bi-weekly posts has persuaded me that the time has come to end Just Janga. Since I am woefully behind on reviews, I will be posting almost daily through the end of this month, but July 31 will be my final day to post here. I’ll have more to say about my decision in that final post. Meanwhile, I hope you will forgive my silence and join me for a final flurry of reviews over the next two weeks.

Vixen in Velvet

By Loretta Chase

Publisher: Avon

Release Date: June 24, 2014

Leonie Noirot is the youngest of the three sisters who own Maison Noirot, a dressmaking establishment known not only for its fabulous fashions but also for the fact that two of its owners have married into the aristocracy. Marcelline, the creative genius whose designs are breathtaking, is the wife of the Duke of Clevedon (Silk Is for Seduction) and Sophy, whose acting and writing talents are used to assure Maison Noirot of the very best publicity, is the wife of the Earl of Longmore (Scandal Wears Satin). With Marcelline suffering from morning sickness and Sophy traveling on her wedding trip, Leonie, the sister with a head for business and a remarkable facility with numbers, is in charge. Having learned that Viscount Swanton, London’s newest literary sensation whose poetry and person have the young ladies of the ton sighing and swooning, will be attending the British Institution’s Annual Summer Exhibition, Leonie decided the exhibition was the perfect spot to appear in a Noirot creation that might draw the attention of the young ladies or their chaperones and thus increase the shop’s clientele. Her fascination with one painting in the exhibit, Botticelli’s Venus and Mars, caught her by surprise. So too did the effects of her meeting with the owner of the painting.

Simon Blair, Marquess of Lisburne, has recently returned to England after a half dozen years on the Continent following the death of his father. The trip to England was supposed to be a brief one, but Swanton’s fame and angelic looks have made him the target of excessive attention. Although they are only cousins, Lisburne feels an elder brother’s responsibility for the younger man. Once he meets Leonie Noirot, Swanton is not the only reason Lisburne chooses to linger in England.

When Leonie begins the work of transforming the graceless, overbearing, physically unattractive Lady Gladys Fairfax into a woman who can attract the beau of her choice, Lisburne is convinced she is setting herself up for disaster. He believes Lady Gladys is the sow’s ear that no effort or skill will make over into silk, and Leonie’s efforts will make her ridiculous. But Leonie is confident that she can show Lady Gladys the way to social success. So the two agree on a wager. If Lady Gladys has at least six followers and one non-mercenary offer of marriage within a matter of weeks, Lisburne will pass the ownership of his Botticelli to Leonie. If Lady Gladys remains a social failure, Leonie will give Lisburne two weeks of her undivided attention.

As the two spend more and more time in one another’s company, of course they fall in love. This is a romance. One of the things that makes this story more than a charming, if predictable, wealthy lord-meets-unsuitable-heroine tale is watching the initial chemistry between Leonie and Lisburne deepen into liking and understanding of one another. Along the way, they each also come to know himself/herself more fully.

Sometimes everything in a book just works for a reader in a way that is difficult to explain. Such was my experience with Vixen in Velvet. 

I loved the characters. Leonie really believes she is all logic and business, but her feelings for Lisburne show her how incomplete that image of her is. The vulnerability the reader see when Leonie’s memories of the Paris riots, the dangers the Noirots escaped, and all they lost, her very real gifts for the work she does, and her commitment to the sisters’ charity all prove that she is more that an amusing lightweight. In a similar fashion, Lisburne may appear to be a practiced and not overly intelligent charmer, but in reality he is devoted to his family, sensitive to beauty, and possessed of a social conscience and a sense of humor as well as being handsome and wealthy.

I also loved the subplot centered around Lady Gladys. It serves to illustrate Leonie’s compassion and insight as well as reveal the sensitive, longing creature that Lady Gladys is beneath her porcupine exterior. And Brava to Loretta Chase for making Lady Gladys’s makeover less magical transformation and more education in how to make the most of her assets. One of my favorite lines in the novel was Leonie’s pronouncement: “I've dressed her … The rest she's done for herself.”

Other things I love included a description of Leonie’s fascination with the Botticelli that should strike a chord with any reader who has even been enthralled by a painting, a poem, or a piece of music, one of the best first kiss scenes, and Leonie’s poetry recitation. As much as I enjoyed these scenes, my favorite is the one when Lisburne visits the Milliners’ Society for the Education of Indigent Females. Leonie shows him the crafts the girls have created to sell, and Lisburne is visibly moved.

“It would seem that your friend's poetry has infected you with excessive tenderness,” she said.

“That may be so, madame, yet I wonder how any man could withstand this.” He waved his hand at the contents of the display case. “Look at them. Little hearts and flowers and curlicues and lilies of the valley and lace.  Made by girls who've known mainly deprivation and squalor and violence.” 

She considered the pincushions and watch guards and mittens and handkerchiefs. “They don't have Botticelli paintings to look at,” she said. “If they want beauty in their lives, they have to make it.”

“Madame,” he said, “is it necessary to break my heart completely?”

If you are looking for a romance with a tightly woven plot, heavy on action, you may want to skip Vixen in Velvet. But if you want a character-driven romance with delightful dialogue and real conversations and sparkling humor that is sometimes wonderfully subtle written by a virtuoso in the genre, I highly recommend this book.

Which is more important to you as a reader, characters or plot?