The Good Father
By Diane Chamberlain
Publisher: Mira
Release Date: April 24, 2012
Four years ago, teenager Travis Brown made an unusual
commitment. He chose to accept responsibility for his child whose mother
planned to surrender her for adoption. He has worked hard to provide for Bella
while his mother provided child care. But when his mother is killed in a house
fire that destroys their home, Travis loses his construction job because there
is no one to care for Bella. Unable to find work, Travis accepts a neighbor’s
offer to connect him with a man in Raleigh, N. C. who can give him work. The
work turns out to be illegal, and Travis refuses any part of it. Reduced to
living in his van, with his small supply of cash dwindling to almost nothing,
Travis grows more and more desperate. Leaving Bella with Erin, an acquaintance
they have made through visits to a coffee shop, Travis accepts the job offer, a
choice that places his own life in jeopardy along with the life of the daughter
he would die to protect.
Erin has moved out of the house where she once lived with
her husband Michael and their three-year-old daughter, Carolyn. Since Carolyn
drowned, she and Michael have grown further and further apart. Michael wants
them to get on with their lives, and Erin is almost paralyzed with grief,
reliving the accident that took her child, unable to continue her work as a
pharmacist. Her only interactions are with her therapist and with members of an
online support group for grieving parents. When Travis leaves Bella with her,
Erin begins to surface from her immersion in grief to meet Bella’s needs. In
caring for Bella, she may find her way back to her life—if they survive.
Robin Saville is thrilled with her life. A heart transplant
patient who lived a restricted life as a child and teenager, she enjoys her job
as manager of a bed and breakfast in Beaufort, North Carolina, and feels lucky
that she is engaged to the son and probable successor of the town’s mayor and
one of its wealthiest citizens. But when her fiancé’s unmarried teenage sister
gives birth to a daughter, memories that Robin has kept buried for four years
begin to stir—memories of her daughter and that daughter’s father, Travis
Brown. As her wedding day draws nearer, everything Robin learns about herself and
the man she’s marrying makes her question the life she once thought was perfect
and long for the one she never had.
The stories of these three characters unfold slowly. Chamberlain
shifts points of view, alternating among Travis, Erin, and Robin, and switching
between past and present. Travis’s story is the central one. Despite some
foolish choices, Travis is a good person and a devoted father, who has already
sacrificed a great deal for his child and is willing to do whatever he must do
to take care of her. He longs to be for Bella the kind of father his own was: “My father'd never broken a promise to me, and I
remembered how that felt, knowing I could always trust him no matter what.” Novels
about single mothers struggling to care for their children only one step from
disaster are common; it’s much rarer to see a father, particularly such a young
one, caught in the same situation. But Travis’s limited education combined with
an economy that has devastated the building industry and the kind of tragedy
that can leave those who live paycheck to paycheck with no resources when the
paychecks stop make this tale all too real.
Having witnessed at close hand the measureless grief of
parents who lost a child in an accident, I found Erin’s story just as real and
even more heartbreaking. Robin too is a sympathetic character. Chamberlain’s
characterization of all three is rich and layered, and the reader is caught up
in all their stories. The villains are stereotypes, but they serve their
purpose. While the ending is a bit too neat and The Good Father did not measure
up to my favorites by Chamberlain such as Kiss River and Before the Storm, fans
of character-driven stories that ring true emotionally will find this a
satisfying read.
How do you feel about novels with shifting points of view?
What about non-linear narratives?
