By Courtney Milan
Publisher: HQN
Release Date: September 20, 2011
Five Stars
Weary of the attention and adulation that
have followed in the wake of his book, A Gentleman’s Practical Guide to
Chastity, Sir Mark Turner leaves
London behind and retreats to Shepton Mallet, his childhood home, in search of
peace and anonymity. He does escape the crowds that followed him in the city,
but even in this country town he cannot escape veneration and the extremes of
the Male Chastity Brigade.
Another new
resident of Shepton Mallet, Jessica Farleigh, a dark-haired beauty with a
mysterious smile and an equally mysterious past, attracts a very different kind
of attention from that awarded Mark. But even her sternest critics don’t
suspect Jessica’s true reason for leaving London. Hired by a man who fears Mark
is about to be given a political position the man wants for himself, Jessica is
a courtesan set to seduce Mark and expose him as a hypocrite to those who view
him as the champion of male chastity.
Although far
from immune to Jessica’s beauty, Mark easily resists her early, obvious attempt
at seduction. But as they spend more time together, his liking for her
increases, as does his appreciation for her intelligence, wit, and other
qualities that make her uniquely herself. He wants more than her body. He wants
her to share his life.
It is his desire
to make her his wife that pushes Jessica to tell Mark the truth. Her conscience
has troubled her through most of their relationship, but her need for the money
that will allow her to survive and to free herself from a courtesan’s life is
stronger than her conscience. But while she is willing to ruin Mark’s
reputation, she cannot bring herself to accept his proposal and ruin his life.
The truth leads to heartbreak, but it also—eventually—sets them free for an HEA.
Mark is a rare character,
a genuinely good, deeply human man who is comfortable in his own skin. He is a
virgin by choice, and Milan makes certain her readers understand that it is a
choice made from knowledge rather than ignorance. Mark eloquently explains his
choice to Jessica.
“It cheapens what I’ve accomplished,” Mark said, “to imagine me
a saint. To believe I am untempted, that I pass through this life without
feeling lust or want or desire. I said it in the first chapter of my book, and
yet nobody seems to believe me. Chastity is hard. ”
“I hadn’t thought—”
“I want. I lust. I desire.” He scrubbed his hand through sandy blond hair at that, shaking his head. “No. You’re right. You don’t deserve euphemisms. I want you. I lust after you. I desire you. ”
She might have been the only woman in the world, pinned by his gaze.
“But what I don’t do is act.”
“I hadn’t thought—”
“I want. I lust. I desire.” He scrubbed his hand through sandy blond hair at that, shaking his head. “No. You’re right. You don’t deserve euphemisms. I want you. I lust after you. I desire you. ”
She might have been the only woman in the world, pinned by his gaze.
“But what I don’t do is act.”
Too frequently for my tastes a “strong
heroine” in romance fiction is synonymous with a heroine who seems to be a
character in costume, a 21st-century woman in 19th-century dress. In
Jessica, Milan gives readers a character who possesses a survivor’s strengths
and yet is a woman of her own time, a time when a double standard was
entrenched and one misstep was enough to make a woman an outcast. Jessica hates
that she can be owned by a man, but she accepts responsibility for her choices.
Thus she proves herself an adult woman in a world that would make her no more
than a horse or a falcon to be purchased, trained, and possessed. She becomes,
as Mark declares her, “her own knight.”
I love these characters. I love that they
are adults with intelligence, imperfections, histories, and humor, and I love their
self-knowledge and the ways it increases throughout the book. I love the gender
reversal of a virginal hero and an experienced heroine out to ruin him. I love
the relationship between the brothers. I love the chiaroscuro of the book. I
love the lucid grace of the prose. Sentimentalist that I am, I even loved the
ending, which may seem too contrived for some readers.
Unclaimed can be read as a standalone,
but readers of the first book will have a richer context for Mark’s character
and for the bonds that unite him with his brothers. It is the second novel in
Milan’s Turner series, preceded by Unveiled
(Ash’s book) and to be followed by Unraveled
(Smite’s book) later this year. I am
eager to read Smite’s book.
Are you a fan of virginal heroes? Courtesan heroines? Gender reversals?
