Showing posts with label novel with strong romantic element. Show all posts
Showing posts with label novel with strong romantic element. Show all posts

Saturday, March 8, 2014

Saturday Review: Evening Stars



Evening Stars
By Susan Mallery
Publisher: Harlequin Mira
Release Date: 
February 25, 2014

Susan Mallery takes her readers back to Blackberry Island for the third installment in this popular women’s fiction series set on a fictional island in Washington’s Puget Sound. The first two novels in the series focused on female friendship: childhood friends estranged and reunited in Barefoot Season and new friendships that develop into intimate, healing relationships in Three Sisters. The third focuses on the relationship between two sisters and, to a lesser degree, between the sisters and their mother.

Nina Wentworth was still a child when she realized that she had to be the responsible one in her family. Her mother, Bonnie, a perpetual adolescent, loves her daughters, but, lacking self-discipline and any sense of responsibility, she is incapable of being the parent her daughters need. It falls to Nina to mother her younger sister Averil, to see that her mother’s flightiness doesn’t force them to close the doors of Blackberry Preserves, Bonnie’s antique shop, and to keep their house from falling in around them. Once Nina had dreams of leaving the island, becoming a doctor, and building a life with Dylan Harrington, the only son of Blackberry Island’s only doctor. But Dylan left alone, and Nina switched to nursing because it only required her to be away from the island for two years. Now her life has become rather bland and routine, but change is on the way. First, Dylan returns to join his father’s medical practice and to remind Nina of all they once shared, and then Kyle Eastland, a Navy pilot, lays siege to Nina’s heart—and other body parts.

At Nina’s urging, Averil did leave Blackberry Island to explore a larger world. Averil should be happy. She has been married for five years to Kevin Stanton, a man who loves her deeply, and she has a job writing for a magazine for teenage girls that many other young journalists envy. But Averil finds her life unsatisfying, and she feels pressured by Kevin’s desire for a family. She still thinks of Blackberry Island as home. Quitting her job and leaving her marriage a question mark, she returns to the island to find answers and her lost self.

When Bonnie returns from her buying trip, the three women are once again together, confronted with the complicated mix of love, resentment, and misunderstanding that defines their relationship to one another. Mallery once again proves that she is as deft at writing about women’s journeys of self-discovery as she is at writing heart-melting romance. While Evening Stars has strong romantic elements, the heart of the story is family dynamics, particularly the roles assigned early that shape the women girls grow up to become and the power to change old roles and to reclaim one’s dreams.

Mallery ends her Blackberry Island series with a story that should please her fans and win her some new readers. If you like women’s fiction that includes romance threads that end with HEAs, I definitely recommend this book.



I prefer optimistic endings even in the women’s fiction I read. Perhaps that’s why most of my favorite women’s fiction writers also write or have written romance. Do you prefer at least the promise of a happy future, or are you satisfied with endings that leave you with less resolution?

Tuesday, July 9, 2013

Tuesday Review: The Lemon Orchard

The Lemon Orchard
By Luanne Rice
Publisher: Penguin Group Viking/
Pamela Dorman Books
Release Date: July 2, 2013

The life of Julia Hughes, an adjunct professor of cultural anthropology at Yale University, essentially stopped five years ago when her sixteen-year-old daughter, Jenny, was killed in an automobile accident in which Julia’s husband also died. Although Julia grieves for her husband Peter, they were on the verge of divorce when he was killed. It is the loss of her only child that has left her emotionally paralyzed, unable to return to her life, isolating herself in the east coast home with her memories and Bonnie, a twelve-year-old blue merle Border Collie, the only living thing that connects Julia with Jenny.

Julia accepts the invitation of her uncle John Riley, a professor of Mexican Studies at UCLA, and his actress wife Graciela to house-sit for them at their home in Malibu, California, while they are in Ireland. Julia had visited Casa Riley often, but this is her first visit in five years. Except for an occasional dinner with Lion Cushing, an aging actor who is almost family to Julia, her visit to California changes little about her life except the location—until Julia learns the story of Roberto Rodriguez.  

Roberto is the manager of the Rileys’ lemon orchard. A Mexican who entered the country illegally, Roberto also lost a daughter five years ago. He and his six-year-old daughter left his hometown in Mexico to find a better life in the United States. In the desert where so many Mexicans die as they attempt an illegal crossing, Roberto left Rosa in the shade of a rock while he looked for the ride that had been arranged for them. But he was captured by the Border Patrol, and by the time he persuaded someone to look for Rosa, there was no trace of her. For five years, Roberto has worked hard, haunted by his memories of Rosa and her angel doll, Maria, and wondering if his child is dead or if she has somehow been saved.

As Julia and Roberto share the stories of their losses, a bond forms that develops into a rare friendship and then into a love affair. Julia uses her skills as an anthropologist to generate a plan to find out what happened to Rosa. A former professor connects her to an anthropologist who works for an organization dedicated to reuniting families of Latino immigrants whether it is a literal reunion or, as is more commonly the case, provides them with information and remains to bury. She contacts Jack Leary, a retired Border Patrol agent who gave orders for the search for Rosa, and he is persuaded to join in the hunt. As Julia’s quest to restore Rosa to her father moves closer to resolution, so does the improbable relationship between Julia and Roberto.

The Lemon Orchard resonates with the themes of love and loss and family dynamics that have characterized her work since her debut novel Angels All Over Town in 1985. The Southern California setting from the wealthy Hollywood world of Lion Cushing to the beauty of the lemon orchard to the Latino neighborhood of East LA grounds this story that moves between a love story between two people whose shared loss is greater than their considerable differences of ethnicity, class, and education and a harrowing look at the all too real problems of illegal immigration.
The characters are engaging, the plot is compelling, and the emotional stakes are high. The use of multiple points of view allows the reader to believe in a relationship that otherwise would demand credulity, and the use of flashbacks keeps the devastating losses Julia and Roberto suffered as fresh for the reader as they remain for the characters. Including Jack Leary’s perspective allows Rice to add balance and keep a human face on the Border Patrol. It also allows her to include fascinating details such as the existence of the Shadow Wolves, Native American trackers who use traditional skills of their people in contemporary situations. I confess to being confused sometimes by the purpose of Lion Cushing’s point of view.

Readers who have enjoyed other novels by Rice will find this one a welcome addition. The novel plays to her strengths and centers on a social issue rarely addresses in popular fiction. Romance readers who may be unfamiliar with Rice’s books should take note that The Lemon Orchard is not a romance. The romantic element is strong and central, but there is no conventional HEA. If Rice were a romance author, readers could count on a sequel, but although Rice has written several connected books, including the six-book Hubbard’s Point series, most of her more than thirty novels are standalones. While my favorite Rice novels continue to be three from 2000-2001—Follow the Stars Home, Dream Country, and Summer Light, I have no hesitancy in recommending The Lemon Orchard to readers who enjoy women’s fiction with a strong romantic element but don’t require a neatly beribboned HEA.



Do you require an HEA for everything you read? Should every love story end happily?