Showing posts with label Liz Carlyle. Show all posts
Showing posts with label Liz Carlyle. Show all posts

Saturday, October 12, 2013

Saturday Review: In Love with a Wicked Man

In Love with a Wicked Man
By Liz Carlyle
Publisher: Avon
Release Date: 
October 29, 2013

Ned Quartermaine, a man whose own notoriety exceeds that of the gambling establishment he owns, is visiting Somerset to check out an estate he has claimed from a customer in lieu of the man’s substantial gambling debts. Quartermaine has a specific purpose in mind for the property if it proves suitable, but before he can carry out his inspection, a riding accident renders him unconscious. When he regains consciousness, he not only has forgotten his purpose; he doesn’t even remember his name.

Kate, Lady d'Allenay, a baroness in her own right, is the mainstay of her family. Upon the deaths of her improvident father and brother, in the absence of a direct male heir, she became the one responsible for the family estate. It is important to her that she feels her grandfather would be proud of the steps she is taking to redress the damages inflicted by the poor stewardship of her father and brother. Although her younger sister has a male guardian, the day-to-day supervision of that stubborn, impetuous beauty also rests on Kate, as does meeting the expenses of their volatile mother. All of these concerns are weighing upon Kate when she inadvertently causes a riding accident that leaves her with a new responsibility: an injured man who doesn’t know who he is.

Kate has the stranger taken to Bellecombe Castle where she can oversee his care. Since the initials NED engraved on his personal effects provide the only clue to his identity, Kate calls him Edward. In the absence of conventions that would limit their time together in ordinary situations, the two become friends. Before long, both are aware that feelings stronger than friendship are drawing them together, but Edward’s amnesia is an effective barrier to a more serious relationship. While they struggle with temptation, the twists and tangles of the past are drawing closer to complicate and endanger the present and all its promise.

One of the things that keep me reading romance fiction is the joy of seeing a skilled author take even the most overworked plots and tropes and produce something that is different and captivating. Liz Carlyle does exactly that in this story. Amnesia can be an intrusively obvious device, but Carlyle makes it work here. She gives her readers a real sense of the panic that hits Edward when he realizes he has lost his memory, a panic magnified by his particular nature and experience which make control essential to him and by the sense of something important that taunts him just beyond the edges of memory. She balances this with the unexpected peace and feeling of home that he finds at Bellecombe with Kate.

The bad boy-good girl pairing is surely one of the oldest tropes in romance fiction, but Carlyle makes it fresh because Edward and Kate are never merely types. They are always fully and particularly themselves with unique histories and personalities. I adored Kate, a woman of intelligence, humor, and grace who knows her strengths and has confidence in her competency, yet is aware of her vulnerabilities. And she is not anachronistic! She truly is a strong heroine, in the best sense of that carelessly tossed about description. And while she is ever aware of her responsibilities to her heritage and to her family, she is never a martyr immolating herself on the altar of duty.

Carlyle also excels in weaving new stories into her fictional world. She sometimes does this with clear connections and sometimes with subtle subtext. Carlyle fans familiar with her recent Fraternitas Aureae Crucis series will recognize Ned Quartermaine as the owner of the Quartermaine Club, the gambling salon located across the street from the St. James Society. I always enjoy visiting the world Liz Carlyle creates for her readers.  In Love with a Wicked Man was a special treat since it is less fraught than Carlyle’s books often are. If you are a fan of historical romance that is true to the period and peopled with characters who will engage your interest and affection, I highly recommend this book.


I cherish historical romance authors whose world building skills rival those of authors in other genres. Liz Carlyle and Jo Beverley top my list of such authors. What romance authors demonstrate world-building skills that you especially appreciate?




Tuesday, February 26, 2013

Tuesday Review: A Bride by Moonlight


A Bride by Moonlight
(Fraternitas Aureae Crucis, Book 4)
By Liz Carlyle
Publisher: Avon
Release Date: 
February 26, 2013

Royden Napier, assistant commissioner of London’s Metropolitan Police, is a man known for his commitment to justice and his ruthless pursuit of the guilty. He takes pride not only in his own reputation but also in the reputation his father established in the same position Napier now holds.

Called to the death scene of Sir Wilfred Leeton, he finds Rance Welham, the new Earl of Lazonby, and Elizabeth Ashton, a woman who looks strangely familiar. Napier is suspicious of the tale the two reveal of the circumstances surrounding Leeton’s death. He is persuaded Lazonby is as thoroughly villainous as a man can be, but he has little choice but to go along with their story. Most disturbing of all are their accusations that Napier’s father was a corrupt official not above taking bribes to see that an innocent man was imprisoned and within a breath of being hanged.

Elizabeth Ashton, aka Lisette Colburne, aka Jack Coldwater, is a woman who has lost all purpose. More than half her life has been devoted to a quest to avenge the deaths of her father and her sister. She has held Rance Welham (now Lazonby) responsible, and his escape from the hangman’s noose left her obsessed with seeing his destruction. Now she knows that Lazonby is innocent and Leeton, the real culprit, is dead at her hand, she is left with no sense of direction. She fears reprisals from Lazonby once he is certain that Lady Anisha Stafford is safe from scandal, and she knows that the suspicious Napier has the tenacity of a bulldog. The wilds of Scotland seem to offer her only refuge.

Napier is still reeling from the Leeton scandal when the home secretary pressures him to visit Henry Tarleton, Viscount of Duncaster, and the paternal grandfather from whom Napier, like his father before him, is estranged. Napier’s father, Nicholas Tarleton, responded to Duncaster’s casting him off upon because he disapproved of Nicholas’s marriage, by cutting ties completely, supporting his family through his own efforts and even adopting his wife’s surname rather than using the Tarleton name. Napier has no desire to be part of the Tarleton family, but the recent death of Duncaster’s only surviving son, who left only daughters, means that Napier has become Duncaster’s heir. Upon the old man’s death, Napier will become Duncaster, however little he wants the title and the responsibilities that go with it. He reluctantly yields to the home secretary’s pleading and agrees to visit Burlingame, the Duncaster estate, ostensibly to satisfy his grandfather’s wishes but actually to investigate his uncle’s death and the death of Duncaster’s closest friend.

Needing to distract his aunt from matchmaking, Napier decides that he should take his intended bride with him. He promises Elizabeth Ashton that he will protect her from Lazonby and from arrest if she agrees to go to Burlingame in the role of Napier’s intended wife. Elizabeth agrees, but the two decide she should be presented to the Tarleton family under her original name, Elizabeth Colburne, to avoid association with the Leeton scandal and to take advantage of her position as the granddaughter of Earl Rowend. As the two work together to investigate the suspicious deaths, the attraction between them grows stronger and more difficult to resist. But their distrust of one another is equally strong. They have to become willing to drop all disguises and learn openness and trust if they are to claim the future that promises the happiness their pasts have denied them.

Nobody is better than Liz Carlyle at layered, labyrinthine plotting. This book weaves together multiple story strands and a large cast of characters, most of them with their own secrets that complicate the story and intrigue the reader. A Bride by Moonlight picks up with one of the final scenes from The Bride Wore Pearls and offers a different perspective on the hero of that book as well as revealing the ripple effects of Leeton’s death.

Elizabeth’s role as false fiancĂ©e is only the most obvious of the screens thrown up by various characters to protect their secrets and advance their purposes.   Carlyle succeeds in achieving the right balance between romance and mystery. The result is a book that offers a sizzling romance between two complex, fascinating characters and a series of mysteries that keep the reader eagerly turning pages. For readers who know Carlyle’s work, it’s enough to say this is vintage Carlyle, definitely a book you don’t want to miss. If you haven’t read Carlyle, you can certainly begin with this one. Wherever you begin with her books, you are likely to find yourself following threads that lead you to other of her books. Such connections are among the joys of being a Carlyle reader.


If I were listing authors whose plotting captivates and awes me, Carlyle would be high on my list. What authors would you include on such a list?