Romance reader and writer shares her thoughts on what she's reading, what she's writing, and what she's finding tangential to romance reading and writing.
Friday, December 30, 2011
Happy New Year!
A toast to you, my friends! May you recall moments to cherish as you reflect on 2011. May you welcome 2012 with high hopes and unfaltering courage. May the new year bring you reason for joy and jubilation.
I'll be back Tuesday, January 3, with my review of a book that will be released in 2012 and a week from today I'll share my 2012 book calendar with you. And we'll celebrate the New Year with giveaways on both days.
Tuesday, December 27, 2011
Tuesday Review: The Lure of Song and Magic
The
Lure of Song and Magic
By
Patricia RicePublisher: Source Book Casablanca
Release Date: January 1, 2012
Four Stars
The Little Angels Childcare Center in El Padre is the last place one would expect to find Dylan Ives “Oz” Oswin, successful Hollywood producer, but that’s exactly where he is. He has come to this unlikely place hoping that Pippa James, children’s author and illustrator is the former singing sensation Syrene who disappeared nine years earlier. It’s been more than a year since his son Donal disappeared, and Oz is desperate to find him. If the enigmatic “Librarian” with his mysterious email message is right, Syrene can lead him to his son. However remote the possibility that the former star’s singing the “Silly Seal” song can reunite Oz with Donal, it’s a chance the frantic father is not willing to pass up.
Oz’s appearance threatens the peace that Pippa has
found in a new career and a new town. Syrene is her past, and Pippa is
determined that she’ll stay there. She’s content writing and illustrating the children’s
books that emerge from her fertile imagination and using her voice only in
private where the destruction that its unleashed power provokes can be
contained. She refers Oz to her agent and refuses to be part of the TV show
that is his ploy for approaching her.
But Oz refuses to take no for an answer. Nothing’s
more important than finding his son, and when he sees the effects of Pippa’s
voice in locating a missing child, he begins to believe that the Librarian was
right. Pippa knows from experience what it is to be a small child separated
from parents, and the thought of Donal gets past the barriers she has in place.
She also finds Oz difficult to resist; the chemistry between them is explosive.
She finds it impossible to resist Oz and her own heart.
I requested this book from the publisher via
NetGalley hoping that the use of “Magic” in the title meant the book was
connected to Rice’s Malcolm and Ives books, which I remembered fondly. Although
Lure has a contemporary setting, I was delighted to find that there is a
connection which plays a significant role in the plot.
Pippa and Oz are both compelling characters, and
both have sound reasons for their opposing positions. It’s difficult to see how
both can achieve their goals, and yet the reader is sympathetic to Oz’s
determination to find his son and to Pippa’s desire for a peaceful life. The conflict
kept me eagerly turning the pages.
The fantasy is central without overpowering the
romance, not an easy balance to achieve. I found Pippa’s siren voice with its
potential for good and for destruction fascinating, but it never distracted me
from her relationship with Oz. The book also has some interesting secondary
characters who deserve their own stories. I found Pippa’s mother and Oz’s
brother especially interesting. Some key questions remain unanswered, and I
hope they signal that Rice is planning a series. If you are looking for
something a bit different that still offers great contemporary romance, I
recommend The Lure of Song and Magic. You can read the first chapter here.
What’s your favorite blend of fantasy and romance?
Sunday, December 25, 2011
Friday, December 23, 2011
I Only Want Books for Christmas
(with apologies to Alan Jackson)
The rain is falling on Christmas Eve.
Wrapped presents are under the tree.
Are there tons for me?
I only want books for Christmas, Santa.
Hey, I need nothing else.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
Wrapped presents are under the tree.
Are there tons for me?
I only want books for Christmas, Santa.
Hey, I need nothing else.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
I’m not writing a letter to add to your long list.
’Cause what I'm wanting this year I know you just can’t miss.
I only want books for Christmas, Santa.
Hey, I need nothing else.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
I’ll put on my reading glasses. Forget that mistletoe.
Books fill me with the holiday spirit.
Santa, I know you know. Ho, ho, ho, ho, ho, ho!
I only want books for Christmas, Santa.
Hey, I need nothing else.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
I only want books for Christmas, Santa.
Tie a ribbon 'round a shelf.
Oh, tie a ribbon 'round a shelf.
Ebooks will be fine. Gift cards? Perfect! Santa, I’ll use
the gift card for the first fifteen titles on my wish list, all but two January
releases. I’ve alphabetized them by author just to make it really easy.
- Christina Brooke, Mad About the Earl (Ministry of Marriage #2): I loved the first book in the series and am fascinated by the Ministry of Marriage concept.
- Manda Collins, How to Dance with a Duke (Ugly Ducklings #1): I know what a great read this one is because I read a draft. I can’t wait to reread it and to squee heartily over my friend Manda’s debut.
- Lisa Dale, A Promise of Safekeeping: This is classified as a thriller, not a genre I usually read. But I like Dale’s voice, and I am intrigued by the subject, the effects of an innocent man’s incarceration on the man himself, his best friend, and the prosecuting attorney.
- Carola Dunn, Gone West (Daisy Dalrymple Mystery #20): I’m daffy about Daisy and never miss a book in this series. Since the murder victim in this one is a novelist, it promises to be especially interest.
- Anne Gracie, Bride by Mistake (Devil Riders #5): I’ve been an Anne Gracie fan since I read Gallant Waif more than a decade ago. I’ve loved all the Devil Riders books (The Accidental Wedding was my top read of 2010), and I am beyond eager to read the story of daredevil Luke Ripton.
- Kristin Hannah, Home Front: Hannah is another of my auto-buy authors, and she calls this book about the effect of a wife and mother’s deployment on a family the “best, most emotional book [she’s] ever written.” I’ve already bought an extra box of Kleenex.
- Miranda James, File M for Murder (Cat in the Stacks #3): I’m not even a feline fancier and I love these Athena Mississippi, librarian Charlie Harris, and Diesel, Charlie's Maine coon cat. In this one, Charlie’s daughter is the prime suspect. Now that’s a surefire teaser.
- Sabrina Jeffries, A Lady Never Surrenders (Hellions of Halstead Hall #5): I’ve read an excerpt and I can’t wait to read the rest. Lady Celia Sharpe and Bow Street Runner Jackson Pinter promise to be a wonderful pair, and I so want to know the truth about the deaths of the Sharpe parents.
- Darynda Jones, Third Grave Dead Ahead (Charlotte Davidson #3): I’m not much of a paranormal reader. Frankly, I started this series because my friend PJ sent me a Darynda Jones notebook in a RWA swag package, and I loved the notebook so much (the size and paper texture) that I felt obligated to try the books. I loved the humor and the terrific dialogue even though Charley’s love interest makes me uneasy. I’m definitely interested in what the Grim Reaper is up to next.
- Tony Judt, The Memory Chalet: This one is 2010 book I kept meaning to read and didn’t. This renowned historian composed these autobiographical recollections as nocturnal reflections during the final months of his life when his body was imprisoned by Lou Gehrig’s disease but his mind was free to wonder and ruminate.
- Mary Oliver, House of Light: This is actually a 1990 publication, but it’s being released as a Kindle edition in January, and I am thrilled by the thought of pulling up a poem from this collection when I need to be lifted out of myself or a moment that threatens to imprison me in the mundane. “Still, what I want in my life / is to be willing / to be dazzled—”
- Patricia Rice, The Lure of Song and Magic. I read this and loved this combination of fantasy, mystery, and romance in e-ARC form from NetGalley. Now I must have a copy I can reread and reread. In fact, I want to reread Rice’s Magic series and finish with this book.
- Mark Richard, House of Prayer No. 2: A Writer's Journey Home: This is not a January release. It’s one I missed in 2010. But I want to read this memoir of a writer, a Christ-haunted figure who would have been at home in a Flannery O’Connor novel.
- JoAnn Ross, On Lavender Lane (Shelter Bay #3): I love that Ross has returned to the kind of books that first made me a fan. I look forward to a return visit to Shelter Bay and this reunion story that features a former SEAL and a celebrity chef.
- Kaki Warner, Colorado Dawn (Runaway Brides #2): Photographer Maddie Wallace captured my interest in Heartbreak Creek, the first book in the series. In the second book, Scotsman Angus Wallace, new heir to an earldom and determined to sire an heir of his own, pursues his errant wife to Heartbreak Creek, Colorado.
Are you getting books for Christmas? What January books are you most anticipating?
Tuesday, December 20, 2011
Tuesday Review: A Marriage Carol
A Marriage Carol
By Chris Fabry and Gary D. Chapman
Publisher: Moody
Release Date: September 1, 2011
Borrowing some elements from Charles Dickens Christmas
classic, Fabry and Chapman create a story that is more allegory than carol. The
twenty-year marriage of Marlee and Jacob Ebenezer is on the verge of being
canceled due to accumulated distance and lack of interest. On the evening of Christmas Eve, their
wedding anniversary, they are on their way to a lawyer’s office to sign divorce
papers when, after Jacob’s insistence on leaving the sanded interstate highway
for a shortcut, they are involved in an automobile accident. Marlee regains
consciousness to find herself alone in a car that won’t start and with a cell
phone that has no signal.
Searching for her husband, she stumbles through the snow and
darkness to find a house occupied by an old man and his wife. The wife remains
upstairs out of sight, but the old man offers Marlee help—refuge from the cold,
three-bean chili and cornbread, and an effort to find Jacob. He doesn’t find
Jacob, but he offers Marlee shelter for the night in his home, which is a
former funeral home turned into a retreat where he and his wife offer help for
troubled marriages. Marlee to her own surprise tells Jay about her marriage.
Jay encourages her to hold on to hope that love can be resurrected and
instructs her in the use of three golden pots that he uses in his marriage
counseling. When Marlee melts snow in the first one, she finds herself immersed
in scenes from her past, complete with sound effects that include Dan
Fogelberg’s “Promises Made.” Scenes from her childhood and youth flicker past;
the focus is on her life with Jacob from the “season of delight” when they were
young and newly in love through the moment they left their children to head for
the divorce lawyer’s office. As Marlee uses the other snow-filled golden pots
in turn, she sees Christmas present with her frightened children, her parents
and her sister praying for her, an old boyfriend, and Jacob buried in snow; and
she sees Christmas future with a miserable second marriage, children estranged
from her, and the possibility of a very different future. She is reminded that
“One choice changes the construction of a life.” And she’s left to make her choice.
A Marriage Carol is not a romance novel. It is a short (128
pages) story of a marriage that rises renewed from the ashes of hopelessness
and resignation written by two writers well-known within the Christian
community. Its message that God can restore broken marriages when both parties
are committed to Him, to one another, and to their marriage will evoke hope in
some and seem simplistic to others. The prose is sometimes lovely and lyrical (“There
is no barren place on earth that love cannot grow a garden. Not even your
heart.”) and sometimes over the top (“The phone was stillborn. As lifeless as
my soul.”).
I have refrained from a ranking because I could not decide
how to rate this book. I can imagine recommending it highly to a friend and
fellow believer who is experiencing marital ennui or to a church group looking
for something that speaks to their needs and to their faith. Even tagging it as
an inspirational romance is inaccurate. Its purpose is didactic, and I use the
term strictly and in no pejorative sense. It is effective for its purpose, but
its purpose is different from that of a romance novel. I will also add that
while it employs a Christmas setting, it is not really a Christmas book. Snow
is essential to the plot, but the Christmas season isn’t.
Do you sometimes have difficulty assigning a rating to books
you read? What do you expect from a Christmas book?
Friday, December 16, 2011
Janga’s Top Ten in Romance Fiction for 2011
Writer Russell Banks’s statement that “[l]ists
of books we reread and books we can't finish tell more about us than about the
relative worth of the books themselves” can be applied to lists of best
books as well. Such lists are subjective, and I know from my time with the
Romance Vagabonds that even readers with similar tastes are unlikely to produce
identical best books lists. Even knowing this, I am fascinated by the annual
compilation of best books lists and read every one that comes through my email,
Google reader, or Tweet stream. I cheer when I see one of my favorites
recognized, mutter imprecations when one I deem unworthy is acknowledged, and
make notes about those I’ve missed but think I will enjoy. Only Booklist lacked the discernment in 2011
to agree with me about a single one of the best romance fiction books of the
year. Library Journal and I concurred on three; it would have been four if I
allowed myself to include two books by one author. Amazon and I agreed on two,
and even Publishers Weekly included one of my best books in their brief (top
five) list. (Check out their slide show and see if you think they may be biased
in favor of books with blue in the cover design.)
I created my own best books list before I ever heard of
email loops, bulletin boards, or blogs, carefully noting in my reading journal
the books that had given me particular delight, challenged me to think long
thoughts, or led me into a world that I left with a sigh and a promise to
return. But my annual list has been more fun since I’ve had an audience with
whom to share it. I look forward to going public and having people say, “Oh,
yes! I loved that one too.” It’s almost
as much fun when someone says, “Oh, surely not. I didn’t even finish that one.”
Differences make for interesting conversation.
Some people rank their best books. I can’t. How can I place in
last place on my list a book I adored? My top three—or, to be more accurate, a
three-way tie for my top romance of the year—will be posted on another site
later. Here I make no distinctions. I just share my top ten romance novels of
2011, books I read and loved and that I expect to love more with each
rereading. There were other books I read this year that were five-star reads
for me and even more that were four-star reads. Many of them were added to me keeper
shelves, and all of them gave me hours of reading pleasure. But these, listed
in alphabetical order by author, are ten books that I’d take with me if I were
spending 2012 on an island and could take only ten romance novels from 2011
with me to reread throughout the year.
I think The Black Hawk is Bourne’s finest book yet. It is part historical thriller and part romance, and both parts are the work of a writer who practices her craft with unfaltering excellence. Justine DeCabrillac and Adrian Hawkhurst have already captured readers’ interest; in this book they capture readers’ hearts as well in an unforgettable love story that I expect to see join thr ranks of classic romance novels.
The Other Guy’s Bride by Connie Brockway
Some books are just fun. This sequel to the beloved As You
Desire is one of those books. The Other Guy's Bride has wit and heart and Brockway’s prose, any
one of which would make me glad I read it. Together they propel it on this list.
The link is to Gannon’s review at The Romance Dish.
Silk Is for Seduction by Loretta Chase
The first book in a new series by a writer who consistently
proves she is one of the best writers of any year, Silk Is for Seduction offers a strong-willed,
self-made heroine, a duke who counts his world well lost for love, and lines that
are among my favorites of the year: “Life isn’t perfect. But I’d much rather
live it imperfectly with you.”
A Lady’s Lesson in Scandal by Meredith Duran
This one has it all--engaging
characters, compelling plot, and wonderful prose. Another keeper from Duran who
gets better with every book, A Lady's Lesson in Scandal gives the most credible and unforgettable
look at a heroine reared in poverty moving into a world of the privilege that I’ve
seen in all my years of reading romance fiction. The link is to Gannon’s review at The Romance Dish.
The Duke Is Mine by Eloisa James
When Beauty Tamed the Beast would
have been on my list had I not read This Duke Is Mine in 2011. I love all three of James’s
fairy tale books, but this one has a warrior poet (not the hero) who touched my
heart and made this book more than just another book I love.
What I Did for a Duke by Julie Anne Long
I knew when I read this book in January that it would be on
this list. I’ve reread What I Did for a Duke twice since then, and I fell more deeply in love with
the characters and the story each time. Long takes conventional roles, the
proper maiden and the dangerous rake, and shows two characters who see beneath
the image to the complexities that make up the real person. And the author’s
prose is as seductive as her hero.
Angel’s Rest by Emily March
I’m a fan of
small-town settings, and Eternity Springs has become one of my favorites. But
it’s the hero of Angel’s Rest who earns this book a spot on my top ten list. Gabriel
Callahan is a man who lost two lives, but he gets a shot at a third after love
and Eternity Springs work their healing miracle
The Amorous Education of Celia Seaton by Miranda Neville
From the minute I saw the title, I loved The AmorousEducation of Celia Seaton. The reasons are many. It’s a book that is smart,
witty, tender, and memorable. It also has a hero who admits he would not have
fallen in love with the heroine at first sight but might have after he came to
know her. How rare is that honesty in romance?
Nowhere Near Respectable by Mary Jo Putney
I confess that I gave an extra cheer when Nowhere Near Respectable showed up on the LJ list since I felt a lot of reviews undervalued
it. I loved its multi-ethnicity and its hero, whom I labeled a beta who gives
lie to the idea that beta heroes are not strong and hot and the author called a
“warrior poet.” Whatever the label, he's a keeper--and so is the book. The link is to Cheryl Sneed's commentary at Heroes and Heartbreakers.
The Beach Trees by Karen White
A little bit women’s fiction, a little bit romantic suspense,
and wholly extraordinary, White’s “grit lit” look at a generations-spanning
mystery set in a region that demonstrates its tenacity and resilience
throughout The Beach Trees is a book to be cherished, remembered, and reread.
What are your choices for the top romance novels of 2011?
Note: All links are to my reviews at this site or to guest reviews at The Romance Dish unless otherwise specified.
Tuesday, December 13, 2011
Tuesday Review: How the Marquess Was Won
How
the Marquess Was Won
By Julie Anne Long
Publisher: Avon
Release Date: December 27, 2011
Five Stars
Julian Spenser, Marquess Dryden, is the idol of the
ton. His every move is followed slavishly by those who aspire to the pinnacle
of approval and influence he has reached, but none can approach his perfection.
His admirers are unaware that Dryden has reached his position through careful
calculation and a determination to restore the family reputation and fortune.
His plan will be complete when he acquires one last piece of land from Isaiah
Redmond. He expects marriage to Isaiah’s niece, the beautiful Lisbeth Redmond,
to make that acquisition possible.
Mutely, he looked at her. Too full to speak. Her eyes were green. He knew that decisively now. A more facile man would have compared them flatteringly to something—leaves or moss or emeralds or some such—but all he would truthfully be able to say was that no one he’d ever known possessed eyes quite hers. It had little to do with their color. It was in the way that over the course of mere days he’d found himself saying things just to see how they would change: how humor would kindle them, and kindness soften them, and anger make them flash, and how he felt when the light of them was turned on him. How he wanted to hold up his hands before them and warm them.
By Julie Anne Long
Publisher: Avon
Release Date: December 27, 2011
Five Stars
Phoebe Vale, born in dire poverty in the London
slums, has achieved respectability and independence by virtue of a benefactor who
saw that she was enrolled in Miss Marietta Endicott’s Academy for Girls where
she is presently an instructor. Phoebe has a weakness for the scandal sheets,
and thus she is well acquainted with the gossip about Lord Ice, as Dryden is
called. But she never expected to see him in Pennyroyal Green in Postlethwaite’s
Shop. She certainly never expected to be the object of a kissing bet involving
the gentleman.
She also never expected to see him at Miss Marietta
Endicott’s Academy for Girls, but there he is. And this time he notices Phoebe
and is intrigued by a schoolteacher who behaves in a most unschoolteacherish
manner. When Phoebe accepts an invitation from a former pupil, Lisbeth Redmond,
to serve as her companion for the summer, she is thrown into the company of
Dryden on a regular basis. Lisbeth makes clear her interest in Lord Ice, and he
proceeds with his courtship, even as his attraction to Phoebe grows into
feelings that complicate all Dryden’s plans. Lisbeth is all he needs in a
bride, but it is Phoebe who holds his interest and soon his heart. A match
between the two is unthinkable, and Phoebe will be no man’s mistress.
Julie Anne Long takes a conventional plot—lord falls
for woman of a lower social class, she rejects his offer of an illicit
relationship, all seems hopeless until . . . But Long creates characters who
are so compelling that standard plot is a minor point. Phoebe is a survivor,
intelligent, funny, sensitive, and strong-willed. She is also what she knows
herself to be, not an aristocrat’s daughter born inside or outside wedlock. Dryden
is much more than a man of fashion and the envy of his peers. He is a man of
substance in the truest sense of that term; he possesses an ultimate
reality that underlies all outward manifestations. In what has become a
recurring motif in Long’s Pennyroyal books, Dryden and Phoebe see beyond the
image that each projects to the person who thinks and feels, dreams and fears,
soars, and stumbles, and it is the reality with whom they fall in love.
This is a wonderfully romantic
book. That may sound redundant when speaking of a romance novel, but truly it
isn’t. I read a lot of romances these days that devote great attention to sex
but little to romance. Long doesn’t stint on the heat, and the sexual tension
is superbly done, but there are also moments like the waltz scene that reveal
not just desire but also tenderness and sentiment and impulsive affection.
As always with a JAL book, the
prose is sometimes tactile, frequently lyrical, and always purposeful; it is
not opaque and ornamental. Consider how
much is revealed about both hero and heroine in this description of Phoebe’s
eyes from Dryden’s point of view:
Mutely, he looked at her. Too full to speak. Her eyes were green. He knew that decisively now. A more facile man would have compared them flatteringly to something—leaves or moss or emeralds or some such—but all he would truthfully be able to say was that no one he’d ever known possessed eyes quite hers. It had little to do with their color. It was in the way that over the course of mere days he’d found himself saying things just to see how they would change: how humor would kindle them, and kindness soften them, and anger make them flash, and how he felt when the light of them was turned on him. How he wanted to hold up his hands before them and warm them.
Humor is also part of the appeal of this book.
Phoebe and Dryden banter in a fashion that will delight readers who enjoy such
exchanges. Phoebe’s cat Charybdis, a feline who has a personality the equal of
Hermione Granger’s Crookshanks, has an important role that will leave readers
laughing—and wincing. There are appearances by Redmonds and Everseas and tantalizing
references to others. There are at least a couple that clearly demand their own
books. How the Marquess Was Won is the sixth book in Long’s Pennyroyal Green
series. I’ll be content to see the series twice that length. I highly recommend the book--and the series. Book 6 won this
reader’s affection and a place on the keeper shelf. I just have one question:
What’s next, Ms. Long?
What series has held your interest for the longest?
Do you think there’s an ideal length for a series? Have you visited Pennyroyal
Green, Sussex?
Friday, December 9, 2011
Watching Christmas: My Top Ten Christmas TV Episodes
I admit it. I was never one of the cool kids,
and at my time of life, I’ve accepted that I’m never going to join that group.
Frankly, I left any aspiration to be cool behind about the same time that I stopped
wearing flared-leg jeans and angel sleeves. I say these things not as any sort
of personal manifesto but rather to preface my selection of favorite Christmas
episodes of TV shows and to warn the Christmas cynics among you that my
favorites are unabashedly sentimental--some would say some of them are
downright cheesy. (And yes, I’m old enough to have seen all of the original
episodes, although I was a mere infant—almost--for the early ones.)
Is watching Christmas one of the ways you celebrate the season? What are your favorite Christmas TV episodes? Your favorite Christmas movies?
I love Christmas movies too, but that a
subject for another blog. This one’s all about episodic television, and
Christmas shows that still have me checking
the TVLand schedule and Hulu Plus to see them one more time.
1.
“The Christmas Story,”
The Andy Griffith Show (December 19,
1960)
The
scene is the Mayberry jail where Mayberry’s moonshiner, Sam Muggins, has been
locked up by Andy on Christmas Eve at the insistence of Grinch-hearted shop
owner Ben Weaver. Andy arrests him, but he also arrests Sam’s wife and children
as "accessories before,
during, and after the fact" and deputizes Aunt Bea, Opie, and Ellie to
watch the “dangerous” crew. The two families unite to turn Mayberry’s jail into
the warmest, most inviting place to spend Christmas. Weaver even manages to get
himself arrested so he can join the happy group, bringing gifts from his store.
And if Weaver’s heart-growing, moonshine-nipping conversion isn’t Christmassy
enough, there’s the inimitable Don Knotts as Barney Fife playing Santa Claus.
2. “Humbug Not
To Be Spoken Here,” Bewitched (December 21, 1967)
Darrin
(the first one, Dick York) has a grumpy client, Mr. Mortimer, who insists on
working late on Christmas Eve. Even though Darrin leaves the meeting to be at
home with Samantha and Tabitha, that night Sam takes on the guise of the Spirit
of Christmas à la Charles Dickens, even taking the
Scrooge-as-soup-king to the North Pole for a visit with Santa.
3. “Christmas at Plum Creek,” Little House on the Prairie (December 25, 1974)
This
one’s all about giving. Pa’s making a set of wagon wheels to earn the money to
buy Ma a new stove. Ma’s making Pa a new shirt, and so is Mary. Ma ends up
hiding her shirt to let Mary’s gift shine. Laura sold her horse, Bunny, to Mr.
Oleson to buy the new stove for Ma. Carrie uses her penny to buy a gift for
Baby Jesus.
4.
“Guess Who’s Coming to Christmas,” Happy Days (December 17, 1974)
Fonzie tells Al the
story of the Christmas Howard Cunningham didn’t get the traditional, family
Christmas he wanted, Fonzie got the family he didn’t know he needed, and the
famously disappearing Chuck Cunningham was still part of the family. The
episode ends with Fonzie being asked to say grace over the Cunningham family
dinner.
5.
“Death Takes a
Holiday,” M*A*S*H (December 15, 1980)
Christmas comes
even in war zones. The 4077th,
at the urging of Father Mulcahy have invited the children from the local
orphanage to a Christmas part in the mess tent. B.J. gives fudge from home to
the cause, and Charles, who turns out to be a secret Santa, offers smoked
oysters. While Colonel Potter plays Santa, Hawkeye, B.J., and Margaret battle
to keep a mortally wounded soldier alive for one more day so that his family
won’t forever associate Christmas with the day their son/husband/father died.
6.
“Basinger’s New
York,” Highway to Heaven (December
17, 1986)
A disillusioned,
divorced New York newspaper columnist Jeb Basinger (played by Richard Mulligan)
struggles to write his Christmas column. Jonathan and Mark must show the
cynical journalist that goodness and hope exists. Jeb accompanies them as they
help a 20th-century homeless Mary and Joseph find food, shelter, and
a hospital for their child to be born. Along the way, they help a cab driver
find his missing son, a senator and his wife find love, and some homeless men
find purpose, and Jeb finds Christmas miracles enough to write his story and
change his life.
7. “Christmas,” The Wonder
Years (December 14, 1988)
What can you do
when the girl you love has a Christmas gift for you, and you have $6 and no
idea what to get her? This is the problem Kevin Arnold is facing in 1968, the
year he and his butt-head brother are trying to talk their dad into buying the
family’s first color TV for Christmas. I loved the beginning and ending
retrospective narratives of this show. “Christmas” closes with these words:
I don't even remember what I got for Christmas that year.
But Dad gave Mom a bracelet that knocked her socks off. Oh, yeah... and he did
get us that color-TV... two years later. For me, that year Christmas stopped
being about tinsel and wrapping paper, and started being about memory. At first
I was disappointed. Until I learned that memory is a way of holding on to the
things you love, the things you are, the things you wish to never lose. And I
learned from Winnie, that in a world that changes too fast, the best we can do
is wish each other Merry Christmas. [Kevin
opens Winnie's present, which is a four-leaf clover] And good luck.
8.
“The First Day of
the Last Decade of the Entire Twentieth Century,” Designing Women (January 1, 1990)
I’m cheating
here because this is a New Year’s episode rather than a Christmas one, but 1989
was not a good year for Christmas episodes. This was the first holiday show
that year that had the special warmth that marks the standouts for me. I always
think of it as a Christmas show.
Charlene dreams of a visit from her “guardian celebrity,” Dolly Parton, who tells her that a baby girl will soon arrive. When Charlene is saddened by the thought of family members who didn’t live to see her soon-to-arrive daughter, Dolly assures her that they will be with the child in spirit as she grows to adulthood. Charlene is awakened by labor pains. Bill’s plane is grounded by bad weather, and Julia, Mary Jo, and Suzanne take her to the hospital.
Charlene dreams of a visit from her “guardian celebrity,” Dolly Parton, who tells her that a baby girl will soon arrive. When Charlene is saddened by the thought of family members who didn’t live to see her soon-to-arrive daughter, Dolly assures her that they will be with the child in spirit as she grows to adulthood. Charlene is awakened by labor pains. Bill’s plane is grounded by bad weather, and Julia, Mary Jo, and Suzanne take her to the hospital.
In the hospital, Julia
meets Minnie Bell Ward, a 102-year-old woman who is waiting for death. The
character was inspired by Meshach Taylor’s grandmother. Like Taylor’s
grandmother, Miss Minnie shares stories of her long life that spanned most of
the 20th century. As the old year departs, Miss Minnie dies, and as
the new year begins, Charlene and Bill’s daughter Olivia is born.
9.
“Fear Not,” Touched by an Angel (December 25, 1994)
Monica and Tess both
befriend Joey, a mentally challenged teenager. Joey must learn to let go of his
fear of the dark, a legacy of his parents’ deaths in an automobile accident at
night, in order to help his friend Selena. Monica’s special mission is to teach
Wayne, Joey’s older brother, burdened by duty and resentful of his
responsibility for Joey, to open his heart to brotherly love. These characters
reappear in several episodes including the series finale, but this one, a real
tearjerker, is the best. Tess always gets the best lines. In “Fear Not,” she
says to Monica: “When life keeps you in the dark, baby, that's when you start
looking at the stars.”
10.
“In Excelsis Deo,” The West Wing (December 15, 1999)
Life in the White
House and for its staffers continues at its complicated pace while Toby is
called by the D.C. police to identify a homeless man found dead wearing Toby’s
coat. Toby had donated the coat to Good Will and accidentally left his card in
it. But he is determined to identify the man, and when he discovers the man was
a Korean War veteran, he uses the influence of his position to arrange a military
funeral and burial at Arlington. When President Bartlett warns that Toby could
be setting a precedent, Toby responds, “I can only hope so, sir.” Only the dead
man’s brother, also homeless, Toby, and Mrs. Landingham, whose two sons were
killed in Vietnam, attend the funeral.
Is watching Christmas one of the ways you celebrate the season? What are your favorite Christmas TV episodes? Your favorite Christmas movies?
Tuesday, December 6, 2011
Tuesday Review: The Duke Is Mine
The Duke Is Mine
By Eloisa JamesPublisher: Avon
Release Date: December 27, 2011
Five Stars
Olivia Lytton was born to be a duchess, and her whole life
has been a process of preparing her for that role. She and her twin sister
Georgiana, younger by seven minutes, have been schooled in all the finer points
of proper duchess behavior. The result in Georgiana’s case is perfection. From
her slender beauty to her every word and move, she is ideal duchess material.
Olivia, on the other hand, is disastrously frank with a fondness for bawdy
limericks and a lushly curved body that fails the elegance test. Nevertheless,
by virtue of being first born, she is destined to be the bride of Rupert
Blakemore, Marquess of Montsurrey and heir to the Duke of Canterwick. Rupert is
five years her junior and a simple soul who has none of Olivia’s intelligence
and wit. But Rupert has reached the age of eighteen, and his father is eager to
see him wed. Olivia is unhappy but resigned to her fate. Her consolation is
that her marriage will enable her to dower Georgiana and help her to find a man
with whom she can find happiness.
Surprisingly, it is young Rupert who delays the marriage
because he has a vision of achieving military glory. He departs with a retinue
his father is persuaded will keep him safe, leaving Olivia with the true love
of his life, Lucy, a most non-aristocratic dog. Meanwhile Georgiana has
received an invitation from the mother of Tarquin Brook-Chatfield, the Duke of
Sconce, a woman bent on finding a proper duchess for her widowed son. Olivia
accompanies her sister on her visit to the ducal domicile.
The Duke of Sconce, like Olivia, is resigned to marriage.
His first marriage was a love match on his part, and it ended in tragedy. He allows
his mother to play matchmaker because he has determined to have nothing more to
do with love. His devotion now is reserved for mathematics, a field where he
has better fortune solving the problems. But from his first sight of Olivia,
his life begins to change. He finds her beautiful and the more time they spend
together, the greater distraction she becomes. Since his mother is putting
Georgiana and another young woman through a series of tests to determine their
fitness to become the next Duchess of Sconce, Quin and Olivia are often in each
other’s company. Soon to the physical attraction that sparked between them
early are added an appreciation of one another’s intelligence, an openness in
their communication, and the sense of wholeness they discover in one another.
Georgiana thinks Quin will make her a perfect husband. Olivia’s betrothal
papers to a man who is fighting for his country have been signed. What are two
honorable people who are hopelessly in love to do?
The Duke Is Mine is the third book in James’s Happily Ever
After series, novels that offer the author’s take on classic fairy tales.
Although I loved A Kiss at Midnight (Cinderella) and When Beauty Tamed the
Beast (Beauty and the Beast), I had reservations about a romance based on the
Princess and the Pea. Unlike the other two, it was not a favorite fairy tale,
and I didn’t see it as romantic at all. I should have trusted the author. James
takes elements from Hans Christian Andersen’s tale and weaves them into a story
that is truly and delightfully a romance.
Like the princess in the fairy tale, when Olivia first meets
“the prince,” she is a refugee from the storm, “in a sad condition; the water
trickled down from her hair, and her clothes clung to her body.” But unlike the
original bedraggled princess, Olivia doesn’t feel like a real princess—or even
a real duchess. She is convinced that she is totally unsuited physically and temperamentally
to be a duchess, and it is not she but her sister who is being tested by the
reigning matriarch. Olivia is everything Quin’s mother finds most unsuitable
for a real duchess. But Olivia is no passive princess who goes meekly off to
sleep on twenty mattresses. She challenges Quin from their first exchange. I
loved her irrepressibility and vulnerability and determination to be herself. I
loved that she was more earthy than ethereal. I loved her wit and her bawdy sense
of humor. I loved her intelligence, strength, and honor. I loved her
understanding heart.
And Quin! I fell hard for him from the first description.
. . . the Duke of
Sconce was the sort of man repulsed by the very idea of fairy tales. He neither
read nor thought about them (let alone believed
in them); the notion of playing a role in one would have been preposterous, and
he would have rejected outright the notion that he resembled in any fashion the
golden-haired, velvet-lad princes generally found in such tales.
Tarquin
Brook-Chatfield, Duke of Sconce—known as Quin to his intimates, who numbered
exactly two—was more like the villain in those stories than the hero, and he
knew it.
I loved Quin’s intelligence, his passion for mathematics, and
his logic. Most of all, I loved his overwhelming feelings for Olivia.
This is a story rich in humor, and I smiled a lot and
sometimes laughed aloud while reading it. But as the story unfolded, I became
aware how much more there was to the novel than a few hours entertainment.
James takes a company of flawed characters and from the hero and heroine to
Quin’s arrogant mother to the plebian pet, Lucy, shows love making them all “real.”
Quin’s mother might have been just another controlling mother, but James
reveals that it is not false pride but genuine love for her son who was
devastated by his first marriage that motivates her actions. Even Rupert’s manipulative
father becomes endearing when the reader sees his pride and love for his son.
Rupert’s foil, his cousin Justin (a Bieber tribute in honor of James’s
daughter), might have been shallow but instead possesses an enviable joie de
vivre. Georgiana’s perfection would have been boring had the reader not seen
the unconventional ambition that lay beneath her polished exterior. And most
surprising, Rupert, who in less skillful hands might have been little more than
a buffoon, become the realest of all—not because he ends up a military hero but
because he had all along the sensitivity and compassion that are the very
definition of realness, as the story of the Princess and the Pea illustrates.
The Duke Is Mine has all the things I look for in an Eloisa
James novel: the wit, the literary allusions, the lyrical moments, the love
scene in an unexpected setting. Quin and Olivia’s tree house, which “had
windows on all four sides open to the moonlight, which poured in like fairy
dust turned silver,” may just be my favorite in a long list of such scenes.
This is a book to which I will return, one that I will
reread often, anticipating that it will break my heart in places and set it
singing in others. I highly recommend it.
Do you like romances based on fairy tales? What are some of your favorites?
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